If you thought you had seen everything there was to see about Elizabeth Holmes and Theranos, think again.
“I don’t think you are ready for this doc” might actually be the most appropriate warning for You Can See Everything, the new Elizabeth Holmes documentary from filmmaker Nathan Fielder and Lance Oppenheim. And judging by the reaction so far, that warning isn’t exactly clickbait.
The documentary takes an extraordinarily intimate look at Holmes in the weeks before she reported to prison to begin her 11-year sentence for fraud. Fielder and his crew were given access to Holmes, her partner Billy Evans and their family, filming inside their home for an extended period.
And then things get weird.
Very weird.
Unlike a conventional Elizabeth Holmes documentary, You Can See Everything isn’t simply another chronological retelling of the Theranos scandal. Fielder, whose work on Nathan For You and The Rehearsal has made uncomfortable conversations something of an art form, turns the camera back on Holmes—and, eventually, on the entire idea of documentary filmmaking itself.
Holmes maintains that she did not do anything wrong, despite her conviction for defrauding investors. That tension becomes one of the documentary’s central questions: what happens when you give someone who insists she is misunderstood an extraordinary amount of access to tell her own story?
The film reportedly runs nearly three hours and has already generated major buzz after surprise screenings at Telluride and the New York Film Festival. Critics have described it as shocking, unsettling, funny and unlike virtually anything else in the documentary world.
You Can See Everything hits theaters October 16, 2026, courtesy of A24.
So, yes: you can read the reviews.
You can watch the trailer.
You can Google every Theranos conspiracy theory imaginable.
But honestly?
Don’t.
Because with this one, the less you know going in, the better.
And yes, you are probably not ready for this doc.
